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Exclusive interview: The Fourth Estate producers on going inside The New York Times during Trump’s first 100 days
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Blue Night and Tully movie reviews: Women on the edge of a nervous breakdown
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Back Roads movie review: High drama in small town USA
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Mapplethorpe movie review: Robert’s garden of good and evil
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Jonathan movie review: Sci-fi role(s) for Ansel Elgort
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Review: Laura Poitras’ Julian Assange movie Risk is riveting but leaves questions
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Tribeca review: A Thousand Junkies gives us three lovable anti-heroes searching for their next fix
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Tribeca review: My Art portrays an endearing female protagonist
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Tribeca review: A Gray State tells David Crowley’s strange and tragic story
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Tribeca review: Rami Malek’s Buster’s Mal Heart is like a feverish dream
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16 must-see films at the 2017 Tribeca Film Festival
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Santa Barbara Int’l Film Fest: Last stop before Oscar gold
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What Lies Upstream and Water & Power: A California Heist underscore fresh water crisis
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The Incredible Jessica James plays life as a theater
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Wind River asks who has the right to portray American Indian identity?
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Cate Blanchett manifests brilliance in Manifesto, the ultimate art-house film
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The 10 films to watch at Sundance 2017
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Virtual reality and art documentaries the highlights of Tribeca
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Black & White and Red All Over At L.A.Opera’s Ghoulish Event At Historic Movie Palace
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15 Must-Sees At Sundance Film Festival ‘15
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