Season two of “The Tudors” exceeded the first with more compelling storylines and building court drama.
The Irish actor Jonathan Rhys-Meyers) The season was defined by the unraveling of the Catholic Church and rise of Thomas Cromwell’s (James Frain) power and influence; it was Cromwell, a cunning self-educated man, who was an architect of the Reformation movement in England with the introduction of religious leader Thomas Cranmer to King Henry VIII's (Jonathan Rhys Meyers) court. © Sylvain Gaboury / PR Photos
The season was defined by the unraveling of the Catholic Church and rise of Thomas Cromwell’s (James Frain) power and influence; it was Cromwell, a cunning self-educated man, who was an architect of the Reformation movement in England with the introduction of religious leader Thomas Cranmer to King Henry VIII's (Jonathan Rhys Meyers) court.
These actions are the frame for Henry’s courtside politics and affairs of love in season two, like season one, are a clever blend of actual history and creative commissioned entertainment at the hand of show creator and writer, Michael Hirst.
The cast and crew worked their magic at Ardmore Studios, near Dublin. The crew remains the same - and this season you will again truly appreciate the outstanding achievements of Emmy award winning costume designer Joan Bergin, who took the honor in 2007 for her exemplary work on “The Tudors.”
Her craftsmanship abounds in the gowns and adornments for Anne Boleyn (Natalie Dormer) which are breathtaking. Boleyn had 17 major costumes along with jewels, shoes and headpieces and all these were handmade from scratch.
Bergin’s eye captured the smallest details of the commoners and various court denizens. “I did a lot of research into Spanish and Italian fashion from the period. I’ve amalgamated Tudor style with more European influences, so overall the look is softer. ..This season we’ve created in the region of 1500 costume pieces,” revealed Bergin.
The second season we note the absence of Cardinal Wolsey (Sam Neill) and the waning of Sir Thomas More’s (Jeremy Northam) favor by his once dutiful friend, Henry.
More steels himself the first four episodes for his inevitable fate of martyrdom; he does not waver in his allegiance to Rome. Henry’s childhood friend and now brother-in-law Charles Brandon (Henry Cavill) walks a fine line with his open hatred for the Boleyns, his empathy for Katherine and maintaining his court standing with Henry.
Thomas Boleyn (Nick Dunning) was given a great deal of rope to possibly hang himself with; he is the Olympic champion of Machiavellian court maneuverings.
Cromwell’s construction of a new religious order with Henry as ordained King and leader of the Church has drained all the once powerful Bishops and Cardinals dry, even the Pope’s (Peter O’Toole) terse edicts of excommunication are to no avail. OToole’s callous and smug portrayal of Pope Paul III, a historically noted morally challenged leader, gives insight to the brewing resentments over the Catholic Church’s critical mass of corruption thus bearing the rise of Protestant leaders and the Reformation itself.
Maria Doyle Kennedy played the part of Catherine of Aragon with the perfect amount of regalness and humility. The people loved her, yet the indignities of being cast aside by the King are worn on her face; Hirst makes us feel for her.
Their daughter Mary continues to feel the sting of her Father's indifference and is essentially abandoned by the Monarch as Anne Boleyn’s baby, Elizabeth I, took center stage for the moment.
It was the polarizing character of Anne Boleyn that unites the sub-plots and overall driving action of season two. Henry’s lust gives way to his will, the Church is broken. Boleyn is now the wife and the scorn of the people who still regard Katherine as the rightful Queen.
Boleyn’s seductress charms are crushed by the Karma wheel that sees the married siren become victim to her own well-played arsenal of feminine wiles; the court beauties still seduced her willing King of enormous appetites.
Anne has come full circle, bears the scars and pays an ultimate price. “She’s on the knife’s edge through the season,” explained Natalie Dormer. “The stakes just get higher and higher, there is no Plan B for Anne. ..it’s like ‘be careful what you wish for.”
There was much to savor for season two of “The Tudors”; the performances are all keenly delivered and nearly upstage the immensely talented Irish star of the series, Rhys Meyers, with their well-written and enacted ensemble work. Notable moments were made by Natalie Dormer, Nick Dunning, Jeremy Northam, James Frain and Peter O'Toole in pivotal scenes.
The series also features stunning camera work by cinematographer Ousama Rawi and production design by Tom Conroy, who opened up the sets in this season and updated the interiors to reflect the ten years that supposedly passes between the seasons.
"There is more of a Renaissance feel to the decor and, of course, more shields and war mementos on the wall," shared Conroy. "I've also been over to England looking at the details of various National Trust Houses. For instance, I saw a basement window in Devon which I used as a tower dungeon window."
In one of the more visually arresting scenes, Conroy had to recreate a giant copper boiling pot where one unlucky cast member meets his fate. "We were looking for a large pot, but there wasn't any of a sufficient size around so we had to commission it," revealed Conroy.
"It's copper, but cleverly done to reduce the weight. We lit a fire under it and set up an elaborate pulley system for the actor to be lowered into the boiling oil, which of course was water with starch in it to create air bubbles. It was very effective."
Now, season three of The Tudors is coming back to Showtime.
The Tudors' entertaining pop team of Eliza and Glennis share some of their favorite moments mentioned above from season two of The Tudors.
Season three of The Tudors premieres Sunday April 5 at 9PM ET/PT.
Visit here for weekly recaps, commentary, and more.
From Showtime:
The Tudors on Showtime has everything good entertainment should have: sex, lust, money, betrayal, baby mama drama, floggings and other forms of post-medieval torture, lusty ladies, reigning men, and a whole a host of beheadings.
This season brings with it the addition of a rebel uprising, a saucy pirate, a mysterious wound, a bastard whore and even more exciting forms of post-medieval torture. So now, there’s only more to love.
The Pop Tudors blog will feature weekly episode recaps and commentary along with tips on fashion, romance, health and fitness inspired by those rascally royals, The Tudors.
The bloggers are:
Eliza and Glennis You may recognize them from such Internet hits as Amy at the Club or The Girl on the Other End of the Phone in Rap Songs. They are also known as, the musical improv sensation, I Eat Pandas. Eliza and Glennis will be bringing us their special brand of madcap antics in the form of video recaps of each episode this season.
Trish the Dish Gossip girl extraordinaire, lover of interoffice Scrabble throw downs, and all-round sunshine day - seriously this lady is like a unicorn wrapped in a rainbow, deep fried, covered in chocolate, on a stick.
The ever-charming Blergisphere When she isn’t inciting dance offs with Trish the Dish, she can be seen panhandling spare change for vending machine fare. Prepare to be wowed by her Tudor talents and if we’re lucky, perhaps she’ll serenade us with a little Greensleeves on the Ukulele.
The Lady Micawave Little known fact: she invented the internet. Or was, at least, was at that initial brainstorming meeting. She is also an avid soup eater who enjoys frequenting the underground karaoke circuit. If you had to describe her in 3 words it would be: Pocket Chuck Norris.
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