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Robert Randolph teams with other artist for second studio album ‘Colorblind’

By Patrick Luce Aug 22, 2006, 18:40 GMT

Colorblind isn\'t an adequate title for this album. Randolph\'s follow-up to 2003\'s Grammy-nominated Unclassified is bright and energetic as a tie-dye-patterned pinwheel. Mostly its 11 tunes are about grooves plucked from the era of Sly Stone and Stevie Wonder, dappled with brilliant classic rock musicianship (think Jimi Hendrix and Jeff Beck) and driven by frenetic verve. When things slow down, it\'s usually to let the young pedal steel virtuoso revisit

Colorblind isn\'t an adequate title for this album. Randolph\'s follow-up to 2003\'s Grammy-nominated Unclassified is bright and energetic as a tie-dye-patterned pinwheel. Mostly its 11 tunes are about grooves plucked from the era of Sly Stone and Stevie Wonder, dappled with brilliant classic rock musicianship (think Jimi Hendrix and Jeff Beck) and driven by frenetic verve. When things slow down, it\'s usually to let the young pedal steel virtuoso revisit ...more

With ‘Colorblind,’ Randolph and the Family Band have taken the difficult leap from being great performing artists to being great recording artists. Since emerging from a House of God church in Orange, New Jersey steeped in the “sacred steel” tradition, Randolph’s astonishing pedal steel playing has had a revolutionary impact. The album is set to hit store shelves on Sept. 25th.

Like a mere handful of musicians – Louis Armstrong, Jimi Hendrix, Stevie Wonder – he has actually been able to redefine the sonic possibilities of his instrument. Randolph’s string wizardry is the focal point of the Family Band’s legendary live appearances, and led to guest spots with artists ranging from the Blind Boys of Alabama to Ozzy Osbourne.

“We wanted to take our time and find ourselves,” said Robert Randolph in a release. “Find out what was really inside of me and the band and bring that out. Really try to come up with the best songs, dig deep within, and let all of the experiences that we have had in the last three years come out in the music.”

But even Randolph admits that the Family Band’s previous recordings have focused more on capturing their onstage magic than on making an album for the ages. “On the last record (2003’s Unclassified),” he said, “we had some ideas, wrote as we went along, and we were out of there in three weeks – and that’s cool. But in working with so many people and getting advice from Eric Clapton, Steven Tyler, and the guys from Dave Matthews Band – they all say, ‘We’d love to see your talent showcased within the context of a great song.’ I was always caught up in the show, because I’m comfortable as a performer,” he continues. “But Carlos Santana said to me, if you ask fifty people which they remember most, a show or a record, 48 of them will say a great record. Because you live with a record, you can pick it up fifty years later and still listen to those songs.”

So Randolph set some new goals for his second studio album – something he wanted to stand on its own, not just be a souvenir of a great concert. For inspiration, he went back to some classic sources. “I listened to Sly Stone, a lot of Hendrix, Zeppelin, Stevie Wonder,” he says. “Then I’d go back to a church service and I’d think, I want ‘Colorblind’ to be a mixture of all of these things."

The big step this time around was the decision to collaborate with other songwriters. The talent assembled was immense, including Tommy Sims (who has written songs with Eric Clapton, Bonnie Raitt, and Garth Brooks), Jeff Trott (Sheryl Crow), Mark Batson (Dave Matthews Band, Gwen Stefani), and the team of Drew Ramsey and Shannon Sanders (India.Arie, Heather Hedley). “We're fortunate to be good musicians,” says Randolph, "and we were able to channel into that foundation during the collaboration process, and grow as songwriters."

As the album’s title indicates, tracks on ‘Colorblind’ range from infectious R&B to timeless ballads. “Ain’t Nothin’ Wrong with That” is a sure-fire party-starter, while “Blessed” presents Randolph’s more spiritual, introspective side. And, there is a blistering version of the Byrds’ “Jesus is Just Alright With Me,” featuring Randolph and Clapton – who became a close friend and mentor to the younger artist when they toured together – in a blazing guitar battle recorded live in the studio.

Having broken through to a new level of creativity, Robert Randolph now finds that he can’t turn it off. “I’m still writing today,” he says. “It’s like being Willy Wonka – this is that first door that opens up and all this other stuff comes out. We’ve definitely stepped into some new dimension.”

‘Colorblind’ is now available for pre-order at Amazon. Visit the music database for more information and a complete track listing.



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Robert Randolph: Colorblind

Colorblind isn't an adequate title for this album. Randolph's follow-up to 2003's Grammy-nominated Unclassified is bright and energetic as a tie-dye-patterned pinwheel. Mostly its 11 tunes are about grooves plucked ...more

  • US Release: 2006-09-26
  • UK Release:

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Album Review: Robert Randolph and the Family Band – ‘Colorblind’

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