In an admittedly backwards sequence of events, I purchased Jhumpa Lahiri's The Namesake only after seeing the gorgeous trailer for the novel's adaptation. Reading it, I could only hope that the movie would do the story justice. To my immense relief, director Mira Nair has brought the novel to life superbly. Following two generations of the Gangulis, a Bengali family, "The Namesake" weaves the life of an arranged but loving couple, Ashoke (Irfan Khan) and Ashimi (Tabu), and in later years, the paths and cross-cultural realizations of their son Gogol (Kal Penn) and daughter Sonia (Sahira Nair). Nair's touch displays the intricacies of love, family, and belonging. Showcasing the vivid traits of Indian culture, and incorporating images and song that bring together eras and continents, Nair's result is emotional and deeply human. The film's first smart step is beginning with the story of the parents. An integral move, the audience is exposed to the life changes that shape Ashoke and Ashimi, leading us to truly understand their desires when they later interact with their children.
Too often parents are portrayed as peripheral, clueless characters; here they are given an engaging backstory. The patient caring that blooms between the two of them is one of the most believable portraits of love put on film, thanks to the outstanding performances of Irfan Khan and Tabu. A very capable Kal Penn, venturing into a dramatic role, captures the journey of the American-raised Gogol, handling scenes of depth and humor with equal ease. The understanding between Gogol and his father regarding the choosing of Gogol's name is effective, layered with a gradual flashback that reveals tragedy and the hope that was born from it.
I loved every minute of this movie. In a scene where the Gangulis held hands and walked through a crowded Indian train station together, I was struck by what a completely believable family these actors had become during the movie's runtime. It is always gratifying to see an excellent novel end up in the hands of the filmmaker it seemed destined to be adapted by.
"The Namesake" is a beautiful, sweeping film that should be acknowledged in awards season, but most importantly, should be seen by moviegoers right now.
Opens USA March 9, 2007. MPAA: Rated PG 13
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