Nicholas Cage can see two minutes into his future, I guess that doesn’t help him pick scripts but this one turns out to be a nice little action/adventure yarn. But like Chinese food, you’ll be hungry an hour after the movie is over.
Chris Johnson (Nicolas Cage) is a magician on the Vegas strip (under the moniker Frank Cadillac). The thing is that he really does have supernatural powers and he can see exactly two minutes into the future. The problem is that it’s his own future. It’s a good deal in that he can make a dime or two in the casinos, but he keeps his winnings small to keep suspicion off of him.
He comes to the attention of Agent Harris (Julianne Moore) and she wants him to “recruit” him to help find a thermonuclear device that’s been smuggled into the U.S. The only vision that Chris has had that’s broken the two-minute barrier is that he had a vision of a girl that walked into a diner at 8:09. So he shows up at the diner at both am and pm to catch this mystery lady. After Agent Harris attempts to recruit Chris forcefully, his two-minute head start keeps him from getting caught; he finally meets Liz (Jessica Biel) at the diner.
Chris’ powers seem to be boosted when he’s with Liz and he can go beyond the two-minute barrier, but only into Liz’s future. Both Agent Harris and the terrorists with the nuclear bomb both catch up with Chris and Liz gets caught in the middle of it all. The terrorists capture Liz and what Chris sees makes him shudder.
Nicolas Cage really hasn’t had too good a run as far as the box office goes. The Wicker Man was just terrible and Ghost Rider wasn’t going to win him any Oscars – even if it was popcorn-laced fun. I’d have to say that Next falls into the Ghost Rider category as far as entertainment goes.
The whole way that Chris’ “gift” works can be a bit confusing, but the whole action part is pretty good. The way that Chris avoids event by knowing what lies ahead in those two-minutes is pretty cool visually, but when you try and wrap you head around some of it you might get a headache. The filmmakers don’t help matters by inserting a scene in the diner where Biel acts like she can see what Chris is up to with his gift. I think it’s just Chris’ imagination, but it confused me for a bit.
Chris’ psychic ability is then wrapped in an explosive action movie. They even try for a twist ending that you’ll either enjoy or be annoyed with – your choice. [Spoiler: it’s in the trailer since the terrorists set the nuke off and Chris and company is obliterated. Well all that happens while Chris’ is sleeping with Liz in the hotel. So he wakes up and all those events don’t really happen since he decides to send Liz away to avoid them and he joins up with Harris to find the bomb. Spoilers off]
Next is presented in anamorphic widescreen (2.35:1) and is enhanced for 16x9 televisions. Special features include the 18 minute “Making the Best Next Thing” which interviews screenwriter Gary Goldman, executive producer Jason Koornick, producer Todd Garner, Nicolas Cage, producer Norman Golightly, Jessica Biel, producer Arne Schmidt, Julianne Moore, and Tory Kittles (“Cavanaugh”) about the film’s production. The 7 minute “Visualizing the Next Move” interviews visual effects supervisor John Sullivan, lead compositor Marco Recvay (Digital Dreams), digital artist Nicholas Luna-Ulrich (Digital Dreams), and visual effects supervisor Dion Hatch (Digiscope) about the digital effects used in the film.
The 7-minute “The Next Grand Idea” is about the location of the Indian Reservation in the Grand Canyon. It’s quite a beautiful location and Cage suggested they use it. The 2-minute “Two Minutes in the Future with Jessica Biel” is a solo interview with Biel – imagine that! Finally there are previews for other Paramount DVDs.
Just like Chinese food, after watching Next you’ll be hungry in about an hour. The movie isn’t bad and it has some good action, but it just is missing that something that makes you want to watch it over and over again.
Next is now available at Amazon and AmazonUK . Visit the DVD database for more information.
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