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‘Burn Out’ might just be that
By Jessica Schneider Oct 22, 2008, 10:44 GMT

Traumatized by a recent life-or-death investigation, Sharon McCone flees to her ranch inCalifornia\'s high desert country to contemplate her future. Deep depression shadows her days and nights, and a chance encounter with a troubled, highly secretive Native American woman begins to haunt her dreams. Even though she is determined not to investigate anything during her stay--and perhaps not ever again--McCone is drawn into the plight of the young ...more
A recent AP review has stated that “Burn Out”—the latest novel by Marcia Muller:
“In previous novels, Muller has excelled at making McCone's inner turmoil as gripping as the crimes she solves. But in this story, her description of McCone's depression falls a bit flat, and the speed and ease of the private eye's recovery ring hollow.”
Wow, I’m shocked. Not really.
Publishers Weekly doesn’t say much:
“By the upbeat ending, McCone has learned that with judicious use of both her investigative and executive skills she can reshape her life.”
Another point the reviewer notes is:
“Muller also relies on plot techniques she has used before: Characters have multiple identities, and the key to the present crime lies in the victims' past. The solution is apparent too early, and when the loose ends are tied up, there are few surprises.”
Sounds dull, as most commercial fiction does these days. Hence why it doesn't sell. But what do publishers know? Not quality.
If you’re dying to know more, read the article.
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